Wednesday, 4 May 2011

Production


All characters created by Pixar for their films are actually owned by Disney. Disney retains the rights to make sequels to any Pixar film, though Pixar retained the right of first refusal to work on these sequels. 
In 2004, when negotiations between the two companies made a spilt appear likely, Disney Chairman at the time, who was Michael Eisner, put in motion plans to produce Toy Story 3 at a new Disney studio called Circle 7 animation. 
Jim Herzfeld wrote a script for Circle 7's version of the film. It focused on the other toys shipping a malfunctioning Buzz to Taiwan, where he was built, believing that he will be fixed there. While searching on the Internet, they find out that many more Buzz Lightyear toys are malfunctioning around the world and the company has issued a massive recall. Fearing Buzz's destructions a group of Andy's toys (Woody, Rex, Slinky, Mr. Potato Head, Hamm, Jessie and Bullseye) venture to rescue Buzz. At the same time Buzz meets other toys from around the world that were once loved but have not been recalled.
In January 2006, Disney bought Pixar in a deal that put Pixar chiefs, Edwin Catmull and John Lasseter in charge of all Disney Animation. Shortly after this, Circle 7 Animation was shut down and its version of Toy Story 3 was cancelled. the character designs then went into the Disney archives. The following month, Disney CEO, Robert Iger, confirmed that Disney was in the process of tranferring the production to Pixar. John Lasseter, Andrew Stanton, Pete Docter and Lee Unkrich visited the house where they first pitched Toy Story and came up with the story for the film over the weekend.  The films release date was then moved to 2010.

Questions!!!!!

1. The issues raised by media ownership in contemporary media practice.
2. The importance of cross media convergence and synergy in production, distribution and marketing
3. The technologies that have been produced in recent years at the levels of production, distribution, marketing and exchange
4. The significance of the proliferation of hardware and content for institutions and audiences.
5. The importance of technological convergence for institutions and audiences.
6. The issues raised in the targeting of national and local audiences (specifically British) by international or global institutions
7. The ways in which the candidates’ own experience of media consumption illustrate wider patterns and trends in audience behaviour.

Tuesday, 3 May 2011

Box Office Gross

Opening Weekend
$110,307,189 (USA) (20 June 2010) (4,028 Screens)
£21,187,264 (UK) (25 July 2010) (562 Screens)
PHP 54,755,489 (Philippines) (20 June 2010) (125 Screens)
RUR 73,646,742 (Russia) (20 June 2010) (555 Screens)

Gross
$414,806,932 (USA) (21 November 2010)
$414,638,013 (USA) (14 November 2010)
$414,317,223 (USA) (7 November 2010)
$413,913,145 (USA) (31 October 2010)
$413,485,965 (USA) (24 October 2010)
$412,844,168 (USA) (17 October 2010)
$412,031,733 (USA) (10 October 2010)
$411,412,427 (USA) (4 October 2010)
$411,086,067 (USA) (26 September 2010)
$410,640,665 (USA) (19 September 2010)
$409,976,037 (USA) (12 September 2010)
$408,890,408 (USA) (5 September 2010)
$405,659,221 (USA) (29 August 2010)
$403,803,642 (USA) (22 August 2010)
$400,824,826 (USA) (15 August 2010)
$396,387,342 (USA) (8 August 2010)
$389,761,491 (USA) (1 August 2010)
$379,416,551 (USA) (25 July 2010)
$362,965,378 (USA) (18 July 2010)
$339,240,857 (USA) (11 July 2010)
$301,883,298 (USA) (4 July 2010)
$226,889,351 (USA) (27 June 2010)
$110,307,189 (USA) (20 June 2010)
$414,984,497 (USA) (28 November screen))
£73,405,113 (UK) (17 October 2010)
£72,944,299 (UK) (3 October 2010)
£72,411,225 (UK) (26 September 2010)
£71,015,148 (UK) (12 September 2010)
£69,878,376 (UK) (5 September 2010)
£67,593,215 (UK) (29 August 2010)
£61,746,551 (UK) (22 August 2010)
£58,908,398 (UK) (15 August 2010)
£51,524,519 (UK) (8 August 2010)
£39,791,223 (UK) (1 August 2010)
£21,187,264 (UK) (25 July 2010)
$635,700,000 (non-USA) (19 September 2010)
PHP 153,498,032 (Philippines) (11 July 2010)
PHP 137,641,606 (Philippines) (4 July 2010)
PHP 107,755,142 (Philippines) (27 June 2010)
PHP 54,755,489 (Philippines) (20 June 2010)
RUR 204,228,787 (Russia) (1 August 2010)
RUR 203,854,238 (Russia) (25 July 2010)
RUR 202,726,455 (Russia) (18 July 2010)
RUR 200,268,987 (Russia) (11 July 2010)
RUR 188,365,957 (Russia) (4 July 2010)
RUR 149,314,499 (Russia) (27 June 2010)
RUR 73,646,742 (Russia) (20 June 2010)

Weekend Gross
$109,840 (USA) (28 November 2010) (168 Screens)
$125,155 (USA) (21 November 2010) (204 Screens)
$207,778 (USA) (14 November 2010) (241 Screens)
$291,502 (USA) (7 November 2010) (264 Screens)
$305,636 (USA) (31 October 2010) (337 Screens)
$472,842 (USA) (24 October 2010) (350 Screens)
$534,680 (USA) (17 October 2010) (350 Screens)
$555,096 (USA) (10 October 2010) (393 Screens)
$229,502 (USA) (4 October 2010) (235 Screens)
$313,847 (USA) (26 September 2010) (302 Screens)
$469,638 (USA) (19 September 2010) (475 Screens)
$761,996 (USA) (12 September 2010) (712 Screens)
$2,735,035 (USA) (5 September 2010) (1,520 Screens)
$1,010,710 (USA) (29 August 2010) (600 Screens)
$1,523,124 (USA) (22 August 2010) (730 Screens)
$2,222,731 (USA) (15 August 2010) (1,219 Screens)
$3,119,088 (USA) (8 August 2010) (1,714 Screens)
$5,122,907 (USA) (1 August 2010) (2,105 Screens)
$8,917,512 (USA) (25 July 2010) (2,766 Screens)
$11,998,276 (USA) (18 July 2010) (3,177 Screens)
$21,015,958 (USA) (11 July 2010) (3,753 Screens)
$43,057,129 (USA) (4 July 2010) (4,028 Screens)
$59,337,669 (USA) (27 June 2010) (4,028 Screens)
$110,307,189 (USA) (20 June 2010) (4,028 Screens)
£83,460 (UK) (17 October 2010) (230 Screens)
£413,759 (UK) (3 October 2010) (380 Screens)
£472,449 (UK) (26 September 2010) (398 Screens)
£756,575 (UK) (12 September 2010) (476 Screens)
£934,423 (UK) (5 September 2010) (497 Screens)
£1,499,524 (UK) (29 August 2010) (526 Screens)
£2,090,277 (UK) (22 August 2010) (557 Screens)
£3,162,944 (UK) (15 August 2010) (569 Screens)
£4,666,021 (UK) (8 August 2010) (555 Screens)
£8,115,193 (UK) (1 August 2010) (564 Screens)
£21,187,264 (UK) (25 July 2010) (562 Screens)
PHP 11,081,709 (Philippines) (11 July 2010) (68 Screens)
PHP 25,344,122 (Philippines) (4 July 2010) (111 Screens)
PHP 45,091,432 (Philippines) (27 June 2010) (125 Screens)
PHP 54,755,489 (Philippines) (20 June 2010) (125 Screens)

Piracy

Toy Story 3 was one of the biggest films of the year which then meant a huge amount of people wanted to be the first to view the film before anyone else. This resulted in an increase of piracy of the film itself, through the media (internet, pirated DVDs etc).
In the week ending June 20th 2010 Toy Story 3 was ranked the 5th highest download on the internet, this means it was one of the most popular illegally downloaded films at that time. This relates to the decrease of cinema viewings nowadays because of the access to piracy on the internet. However authorities today in countries such as USA and UK have been taking action into seizing websites that allow public viewing on these films for free.
'(Reuters) - U.S. authorities seized nine websites on Wednesday, accusing them of movie piracy by offering free access to movies such as "Toy Story 3".

Internet isn't the only method of piracy used today, many foreign countries have illegal pirated films sold on streets and in public places, yet the security for stopping this kind of illegal selling of a product not yet out for public sale, has still not taken place.

How the public use digital technology to interact with the film? (blogs, youtube, facebook fan pages)

Blog were used a lot when the movie Toy Story Three came out, many people used it for reviews, some made their individual comments on the film, and some even used it to share links to piracy copies of the film.
Polls were used to get peoples views on the film, weather they liked it or not, if they cried, what they feel the best toy story three film was and many more

In this photograph you can see a tumblr user stating that she though 'toy story 3 was AMAZING. Made me cry like a baby ...'  You can see that many people have liked this post, and many have also reblogged it, this is a way in which blog users show they share the same view. 

http://www.youtube.com/watch?v=W5UiZrz1HUw

INCLUDE IFNO ON PHONE APPS HERE

Theatrical realease dates

Release Date -

Country
Date
(Taormina Film Festival)
(Buenos Aires) (premiere)












(Nantucket Film Festival)













(Edinburgh Film Festival)











(French speaking region)









(German speaking region)







Tuesday, 26 April 2011

Toy Story 3 - Distribution and Marketing

Posters


Trailers
The trailer has been used to show different clips from different parts of the film in order to encourage the viewers to want to watch it, giving them a short insight to the whole film without giving away too much, however showing the parts that the audiences are most likely to enjoy.

Proper released trailer -  Teaser Trailer -



Social Networking
There are many advertisements shown through social networking sites such as facebook, for example advertisements at the side of the facebook page were shown to try and intise viewers to know about the film therefore to want to go and watch it. Social networking is a very popular thing to be doing for most age groups so using this as a way of advertising is a very good idea to let people know about new things and definitely works in order to get more viewers for the film.

Toy Story 3 - Exhibition

DVD Release
UK - 22nd November 2010
US - 2nd November 2010

Audience Reaction
"I attended a special screening for Toy Story 3. I went in with HIGH expectations. I LOVED the first two Toy Stories movies. Toy Story is a beloved franchise that almost everyone that I know loves the first two films. Now how about the 3rd film? Well all I could say is that it lived up to my unbelievably HIGH expectations and then some. This is such a good film. It has the laughs, magic and best of all the entertainment. The new characters in the movie feel like they were in the previous two films, they were that engaging and really worked well in the movie. The best part of the movie has to be the ending, I almost cried and was moved to just about to tears. I truly believe that this is one of the best Trilogies of all time. It might even rival the Lord of the Rings Trilogy.
This movie has a real chance to become the First Animated Film to win Best Picture. I surely would not be surprised.
10/10 An Amazing End to a Fantastic Series Go Watch It "
- An IMDB user

"Well, this lived up to the hype, which usually isn't an easy accomplishment. Toy Story 1 & 2 set the bar high so, frankly, I was expecting a disappointment with this one. Thankfully, it didn't happen. "Toy Story 3" was another amazing story in this (so far) trilogy.
With a bunch of reviews already here, there is no sense going into the story. For those who haven't seen it yet, three surprises stood out for me: (1) the high number of new characters introduced; (2) the darkness of some of them; this is not always a fun story; (3) the incredibly-touching last 15-or-so minutes.
All three of these facets should make this a fun 103 minutes every time I watch the DVD, much like the first two. Also, the artwork is at the usual high standard, especially some scenes in the last half hour at the dump yard, of all places.
Finally, what's really cool, too, is that the people who voice the main characters are still the same men and women who did the first two films, with the exception of Jim Varney ("Slinky Dog"), who died in 2000. It's great to still hear familiar and distinctive voices, such as those of Wallace Shawn ("Rex"), John Ratenzenber ("Hamm"), Don Rickles and Estelle Harris ("Mr. and Mrs. Potato Head, respectively).
Kudos to all those involved in making this film. They nailed the essence of "Toy Story" and how much loyalty can mean."
-An IMDB user

"Nothing deserves its U certificate less than this: Toy Story 3 is a brutally adult movie with brutally adult themes: the origin of evil in childhood pain, the death of childhood and, well, just death. There are scary villains and intensely, unbearably sad moments. Earlier this year, I wrote here, online, about how having a child of my own opened my eyes to the true and terrible meaning of the Toy Story movies, and particularly cowgirl Jessie's heartrending song When She Loved Me in Toy Story 2, describing how her mistress gradually fell out of love with her as she became a teenager.
Before I became a parent, I had vaguely thought that song was a parable for the child's fear of abandonment. Watching it recently again as a dad, I experienced something between an epiphany and a nervous breakdown. Like the theologian crazed by his theory of the New Testament in Borges's short story Three Versions of Judas, I was gibberingly convinced that I, and I alone, understood the real meaning of the Toy Stories; John Lasseter had spoken directly to me. We, the adults, are the toys. One day, our children will get bored playing with us. They won't want to be cuddled by us; they won't want to confide in us; they will go away and leave us. It will never be the same again. The toys in Toy Story 3 are sent away to a daycare centre where they are victimised and mistreated – just like   the infantilised inmates of an old people's home.
TS3 undoubtedly takes its cue from TS2's gloomy visions of mortality and obsolescence, and amplifies them in ways that, though not as brilliant and novel as the second movie, are tremendously inventive and, yes, powerfully sad. The melancholy that was largely compressed into When She Loved Me is now diffused throughout the film, but it is still superb, and the opening sequence is as thrilling, funny and visually gorgeous as anything in the Pixar canon.
We join the story as Andy, 17, is about to go up to college. Sentimentally loyal to his boyhood self, he intends to take Woody (voiced by Tom Hanks) with him as a mascot and store the rest, including Buzz (Tim Allen) in the attic – but a mixup means they all get taken to a daycare centre. At first delighted by the prospect of playing with real kids once more, the gang find the roost is ruled by an evil bully: the insidiously cute Lotso-Huggin' Bear, voiced by Ned Beatty, who turns the centre into a jail like the one in Cool Hand Luke. He has a horror-movie-style sidekick in the form of Big Baby, a chilling, dead-eyed enforcer.
The humour, the drama, everything in the film seems targeted more at the parents than the children: certainly those cheeky hints at the metrosexual proclivities of Barbie's true love, Ken, with his scarf and blow-dried hair. That said, it's an effortlessly superior family movie. We grownups, however, may have to gulp back our tears and somehow keep it together in front of the kids: just like the toys who revert to blank grins when their owners come back into the bedroom."
- The Guardian

"Age creeps up on us all, even the plucky cast of Toy Story 3, who are terrified of the trash-can now that their doting owner Andy has grown up and is headed for college. He wants to take Woody with him and consigns Buzz Lightyear and his colleagues to a bag in the attic, but a mix-up finds them heading for the dump, only to inveigle a reprieve as a nursery-school donation.
After being thumped and torn by toddlers, they realise that the head honcho in the nursery toy hierarchy – a strawberry-smelling bear called Lots-o’-Huggin’ – is much more sinister than he seems.
The 3D animation is glorious, and the plot turns are relentlessly witty, from the love affair between a discarded Barbie and a wonderfully camp Ken, to the scene in which Mr Potato Head has to make do with a floppy tortilla for a body.
There are emotions, too: the melting moment when the toys link hands and stare bravely down into the garbage furnace is the nearest I’ve come to feeling sentimental all week."
- Seven Magazine review, by Jenny McCartney

Toy Story 3 - Production

Toy Story 3
Director - Lee Unkrich
Writers -
  • John Lasseter (story)
  • Andrew Stanton (story)
  • Lee Unkrich (story)
  • Michael Arndt (screenplay)
Cast overview - first billed only:
  • Tom Hanks - Woody (voice)
  • Tim Allen - Buzz Lightyear (voice)
  • Joan Cusack - Jessie (voice)
  • Ned Beatty - Lotso (voice)
  • Don Rickles - Mr. Potato Head (voice)
  • Michael Keaton - Ken (voice)
  • Wallace Shawn - Rex (voice)
  • John Ratzenberger - Hamm (voice)
  • Estelle Harris - Mrs. Potato Head (voice)
  • John Morris - Andy (voice)
  • Jodi Benson - Barbie (voice)
  • Emily Hahn - Bonnie (voice)
  • Laurie Metcalf - Andy's Mom (voice)
  • Blake Clark - Slinky dog (voice)
  • Teddy Newton - Chatter Telephone (voice)
The characters that have been used within Toy Story 3 are effective throughout the movie as these are the same characters that have been used through the years following on the sequel of Toy Story. Therefore the voices of the characters are very well known within the teenage generation as they are already familiar with the voices that have been used in the previous Toy Story movies. Although due to the death of Jim Varney in 2000 who originally played the voice of Slinky dog, Blake Clark who was very good friends with Jim Varney prior to his death took over the voice of Slinky for the third movie. New characters have been added to Toy Story 3 making it more effective as a new movie and now to all generations.
Having Tom Hanks as the main characters voice of Woody, will bring a wider range of audiences to watching the film as his other films are from completely different genres to Toy Story. He is a well known respected actor, and has been on the screens since 1980.
    Details
    Official sites for Toy Story 3-
    1. Disney [jp]
    2. Disney [uk]
    3. Disney [us]
    Country - USA
    Language - English / Spanish

    Technical Specs
    Runtime - 103 mins
    Soundmix -
    • DTS
    • Dolby Digital EX
    • SDDS
    • Sonics - DDP (IMAX version)
    • Dolby - (Dolby 7.1 Surround Sound)
    Toy Story 3 was the first movie to be shown shown in Dolby Surround 7.1, which uses eight discrete soundtrack channels to create a more enveloping sound and better localisation, as well as expanding the 'sweet spot' in which the best surround experience is available.


    Toy Story 3 was said to be the first Pixar film to be released in IMAX.
    An IMAX cinema is well known for its size. The screen is more than 20 meters high (which is equivalent to 5 double Decker buses) and 26 meters wide. With 11,600 - watts of digital surround-sound and the most sophisticated motion picture projection system in the world. The biggest screen in Britain is a 500 seat luxury large format cinema on London's bustling south bank. This would increase sales within Toy Story 3 as the publicity of this cinema would be extremely high.